
Peter (pfang56) revisits the 'Neo-Classic' era of Audemars Piguet, sharing his acquisition of a Royal Oak Offshore Rubens Barrichello II. He frames this choice as a testament to the model's enduring modern design and relative value, prompting a rich discussion among collectors about this distinctive period in AP's history.

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and no other ROOs came even close... 90% of other ROOs are just dial color change...
Whether you like it or not is irrelevant. The watch's design and execution took quite a bit of effort and the result is undeniable. And the machining was much more complicated than the Barrichello, easy for anyone to see, but also stated to me by Octavio Garcia.
That and the wonderful Team Alinghi Carbon really were bold moves by AP. Sometimes I do crave for a Survivor but am happy with my ceramic perpetual for now to complement an all black ensemble... Cheers, Peter
I will agree it is my favorite Limited Edition Offshore to date. It took seeing one live in person to truly understand how magnificent it is. And no pun intended there, but I am reminded of selling my Jarno Trulli to help fund the RB2 (and I adored the JT, but could not afford to keep it when buying the RB2).
Hi Michael I also had a similar situation when I bought a Trulli many years ago. This was a really special piece in my mind but at some point I got frustrated with the softening / wear on the case, despite the material innovation with Cermet. So in this situation I decided to get something completely different and let go of my Trulli. I remain hopeful that AP can relook at Cermet and producing "steel coloured" ceramic watches for the more classic models like the 15202, or some of the perpetuals.
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