Audemars Piguet Royal Oak Perpetual Calendar Skeleton
Complications

Audemars Piguet Royal Oak Perpetual Calendar Skeleton

By amanico · Jan 6, 2013 · 25 replies
amanico
WPS member · Audemars Piguet forum
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Amanico shares his profound admiration for the Audemars Piguet Royal Oak Perpetual Calendar Skeleton, describing it as a dream watch that embodies beauty, artistic dimension, and a sublime expression of horological complexity. His post captures the challenge of photographing such a delicate and intricate timepiece, emphasizing its subtle beauty that unfolds over time.

Besides the Millenary Starwheel in Stainless Steel, I must say that this RO PC Skeleton is a dream watch, and a long love story.

This watch has all I am looking for:

Beauty, Artistic Dimension, a sulbime expression of the perpetual calendar, displayed in an original case, the Royal Oak.

You can easily imagine how I feel when I see one in the flesh, which was the case this week end, as Mo was in Paris, and had the good idea to bring this marvel with him.

One problem, though... This is a very difficlut watch to take in picture, and specially when you have a couple of minutes to try your luck.

Here are my poor attempts...

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The delicateness of this dial is something which requires time to be fully appreciated.

Indeed, only Time will make you discover the full beauty, the subtility of the work, the finish.

A Dream Watch!

Best,

Nicolas

This message has been edited by amanico on 2013-01-06 13:36:29

About the Audemars Piguet Royal Oak Selfwinding Ref. 15305

The Audemars Piguet Royal Oak reference 15305 is a notable variant within the Royal Oak line, distinguished by its openworked dial and movement, offering a direct view into the intricate mechanics. This reference represents a more elaborate and technically complex interpretation of the standard Royal Oak, appealing to collectors who appreciate haute horlogerie and the art of skeletonization. It was produced in limited quantities, making it a less common sight compared to its solid-dial counterparts. The openworked design allows for an appreciation of the finishing and architecture of the movement, a hallmark of Audemars Piguet's craftsmanship.

The watch features a 39 mm case crafted from 18k yellow gold, maintaining the classic Royal Oak proportions. It houses the self-winding Caliber 3120, which is meticulously openworked and finished to expose its components. The movement provides a power reserve of 60 hours. A sapphire crystal protects the dial, and the watch is water-resistant to 50 meters, suitable for everyday wear. The fixed octagonal bezel, a signature element of the Royal Oak, is also in 18k yellow gold.

This reference appeals to collectors seeking a Royal Oak with an enhanced level of mechanical artistry and exclusivity. Its openworked nature sets it apart from more common Royal Oak models, positioning it as a piece that highlights Audemars Piguet's technical prowess in movement decoration and design. The 18k yellow gold construction further emphasizes its premium status. While not a double-signed piece as mentioned in the collector's post, the 15305 stands on its own as a significant openworked Royal Oak.

Specifications

Caliber
3120
Case
18k Yellow Gold
Diameter
39 mm
Dial
Blue
Water Resist.
50m
Crystal
Sapphire

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The Discussion
MO
moc
Jan 6, 2013

great afternoon my friend...and yes this little creature is so hard to capture....nonetheless,your attempts are very good.....thanks for the words and the great times once more. Mo

MI
MichaelC
Jan 6, 2013

One of my favorite design elements is the hands... they're beautiful. Thanks Nicolas and Mo for sharing this spectacular AP.

ED
Ed. W
Jan 6, 2013

the blue hands seem nicely legible against the complex skeletonized backdrop.

TH
ThisFlyGuy
Jan 6, 2013

great photos. beautiful watch

JE
JerryW
Jan 6, 2013

I think the skeleton PC is easier to ready than my AP PC, the skeleton has a better contrast. One day, hopefully soon. JerryW

AM
amanico
Jan 6, 2013

We'll try to spend more time to take these bloody photos. All the best, and kisses to J. Nicolas

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