My First Jaeger-LeCoultre Reverso: A Collector's Personal Journey
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My First Jaeger-LeCoultre Reverso: A Collector's Personal Journey

By Marcus Hanke · Sep 16, 2021 · 20 replies
Marcus Hanke
WPS member · Jaeger-LeCoultre forum
20 replies2817 views4 photos
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Marcus Hanke, a respected voice in the watch collecting community, shares the story of acquiring his first Jaeger-LeCoultre, a classic Reverso. His post delves into the personal journey of finally owning a timepiece he long admired, offering a relatable perspective on how perceived size on paper can differ significantly from wrist presence. Hanke's experience highlights the enduring appeal of the Reverso and the emotional connection collectors form with their watches.

is a Reverso - of course. The most classic of all JLCs, and browsing through the posts on this forum, this particular model appears to be very popular.











Marcus

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The Discussion
RE
Reuven Malter
Sep 16, 2021

Have you thought about the colorful tributes, too? Why did you went with this version?

LM
lm6
Sep 16, 2021

And congratulations to a very nice classic watch. You can't go wrong with that one!

PA
patrick_y
Sep 16, 2021

And YES! The Reverso with its Art Deco appearance is what got me first interested in watches!

WO
wover
Sep 17, 2021

Very nice first and second photographs btw

MA
Marcus Hanke
Sep 17, 2021

... but back then, I could not afford it. Last year, JLC decided to "honour" its local sales partner, that had nursed JLC for decades (since VDO ownership), also through difficult times, by withdrawing the sales concession, because the shop's location would not match the brand image any more. Consequently, the remaining JLCs in stock were sold at a discount. Normally, I wear watches from 40 to 44mm diameter, so I am used to larger watches. However, I tried on some of the larger Reversos and like

MA
Marcus Hanke
Sep 17, 2021

Basically, I always wanted a rectangular watch, but on the paper, most (affordable) Reversos appeared to be too small for me. However, this experience once again proves that pure figures are very different when it comes to the subjective presence, especially of a rectangular timepiece. Marcus

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