MTF's presentation of two new Cartier clocks offers a historical journey into Cartier's century-long legacy of 8-day and Mystery clocks. By tracing the inspiration from illusionist Jean Eugene Robert-Houdin to modern interpretations, the post underscores Cartier's enduring commitment to horological artistry and design. This article provides valuable context for understanding the brand's unique approach to decorative and mechanical timepieces.

Cartier has been purveyor of 8-day going clocks and Mystery clocks for 100 years.

The earliest Mystery Clock appeared in 1912 as a result of a collaboration between Maurice Couet and Louis Cartier.

It is said that Maurice Couet was inspired by clocks used as magical props by the illusionist Jean Eugene Robert-Houdin.

Robert-Houdin was a legendary stage magician but probably less well known is that he was a watchmaker, whose father was also a watchmaker. His mechanical prowess contributed to the creation of many of his illusions. His exploits inspired Erik Weisz to call himself Harry Houdini as a stage name in America,

VINTAGE CLOCKS AS INSPIRATION

NEW CARTIER CLOCKS

Cartier has preserved all the purity and graphic simplicity of Art Deco in a work of art that is permeated with light.

A clock, in a limited edition of 100 pieces, with stylised hands that mysteriously rotate in front of a transparent rosette engraved with a lotus flower. 

Made from exceptional materials and the 6002MC mechanical movement by the master watchmakers of the Cartier Manufacture in La Chaux-de-Fonds, this modern design allies a symbolic geometric shape with the Chinese influence of the central motif and the striking contrast of black and white, all in a fine example of traditional watchmaking.

Rock crystal, solid silver, palladium finish
Red garnet cabochons
Base in onyx and solid silver
Mechanical movement 6002MC
8-day power reserve
Dimensions: 95 mm x 44 mm x 134 mm