MTF's post delves into Cartier's rich heritage of clockmaking, tracing its origins back to the early 20th century and the influence of illusionist Jean Eugene Robert-Houdin. This historical context sets the stage for introducing two new Cartier clocks, demonstrating how contemporary designs draw inspiration from a century of intricate craftsmanship. The discussion highlights Cartier's enduring commitment to horological artistry beyond wristwatches.

Cartier has been purveyor of 8-day going clocks and Mystery clocks for 100 years.

The earliest Mystery Clock appeared in 1912 as a result of a collaboration between Maurice Couet and Louis Cartier.

It is said that Maurice Couet was inspired by clocks used as magical props by the illusionist Jean Eugene Robert-Houdin.

Robert-Houdin was a legendary stage magician but probably less well known is that he was a watchmaker, whose father was also a watchmaker. His mechanical prowess contributed to the creation of many of his illusions. His exploits inspired Erik Weisz to call himself Harry Houdini as a stage name in America,

VINTAGE CLOCKS AS INSPIRATION

NEW CARTIER CLOCKS

Cartier has preserved all the purity and graphic simplicity of Art Deco in a work of art that is permeated with light.

A clock, in a limited edition of 100 pieces, with stylised hands that mysteriously rotate in front of a transparent rosette engraved with a lotus flower. 

Made from exceptional materials and the 6002MC mechanical movement by the master watchmakers of the Cartier Manufacture in La Chaux-de-Fonds, this modern design allies a symbolic geometric shape with the Chinese influence of the central motif and the striking contrast of black and white, all in a fine example of traditional watchmaking.

Rock crystal, solid silver, palladium finish
Red garnet cabochons
Base in onyx and solid silver
Mechanical movement 6002MC
8-day power reserve
Dimensions: 95 mm x 44 mm x 134 mm