Girard Perregaux 1966 Minute Repeater
Complications

Girard Perregaux 1966 Minute Repeater

By amanico · May 1, 2012 · 36 replies
amanico
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Amanico's exploration of the Girard Perregaux 1966 Minute Repeater offers a deep dive into the brand's rich history with this complex complication. His detailed review, featuring historical pocket watches and modern references, highlights why this particular 2012 SIHH release stands out as a significant achievement for GP, blending traditional horology with elegant design.

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Minute Repeaters and Girard Perregaux are not a recent story...

Some you may not have in mind, were made as early as 1850, like this " Tact " pocket watch, which strikes the quarters, by Jean François Bautte & Co:





Or this hunter case with quarter hour repeater, made by Girard Perregaux, in 1900:



What to say about this Grande Complication, made in 1906, featuring a perpetual calendar, a chronograph and a ... Minute Repeater?



In a more recent era, you may well remember two or three great minute repeaters from Girard Perregaux...

The Reference 99550, for example, which was born in 1996, and which was developped under different configurations, some being just sublime, like this blue dialed one:



Or the extraordinary Opera One or Two, The One being unvelied in 1999, while the Two was first in production since 2001:



Another terrific Opera One ( Credit picture: Sothebys )



Opera Two:



To each his own, but I think we are in presence of a winner, this year, with the Girard Perregaux 1966 Minute Repeater.

We have all the ingredients in this watch: An elegant case, a superb dial, and a fine movement.

Let's see all these details.

1/ The Case:

An elegant polished case, borrowed to the 1966 family, with a paradox:

On the paper, it is written that the diameter is 42 mm.

I had to ask twice, at it looks like a 40 mm watch.

So to say that the dimension is pleasant, coherent with the purpose of the watch.

The shape of the case, its profile enhance the elegant character of this minute repeater.



The case is 12, 90 mm high, but as for the diameter, in looks thinnner, in the real life. Is that another evidence of the coherence of the watch?

The lugs are ideally proportionned: Longer, it would have been problematic in terms of comfort, shorter, it would not have been as nice.

Aesthetics are one thing, for a minute repeater, the case should not create an acoustical issue.

In order to not disturb the sound of the minute repeater, Girard Perregaux used two " tricks ":

- The sapphire on the case back is convex, to increase the volume of air, which is the " natural " vzhicle of the sound.

- The inner ring of the case back is diamond polished. I thought that is was for aesthetics purpose, but I was told by GP that it was to reduce the sound interferences. That, I didnt' know....

2/ The dial:

The dial is in ... Enamel " Grand Feu ". Do I have to elaborate?

For those who didn't see an enamel dial yet, the depht and the warmth are an unforgettable experience.

The combination of an enamel dial with a such a traditional complication is very à propos, in my opinion.

You blend the subtle visual appeal of an enamel dial, with the superb acoustical experience of a minute repeater.

And here, to complete the visual feast, you have applied gold " Breguet " numbers + a Red 60 in the Seconds subdial + heated blue hour, minute and second hands, to enhance the contrast between the milky dial and rose gold case.



All the codes are gathered, in a discrete way, as it takes time to pay attention to these details, to get a superb timepiece.

3/ The movement ( E 09 - 0001 )

The movement is another important part of the watch, and here, it is not disappointing.

The level of finish and decoration is à propos, on a watch of this category, with some nice details.

Here are two technical draws of the movement:





The bridges are decorated with Cotes De Genève, while the mainplate receives " perlages " ( circular grained ).

Of course, the angles are polished, accordingly to what you are in right to expect from an Haute Horlogerie piece.



A view on the perlages on the plate :



Even the hammers are nicely finished:



But have a second look at the movement...

Look deeper, pay more attention.

Focuse on the balance wheel...

Now, look at the bridge above the balance wheel... Do you see the superb half arrow which is used as a balance bridge?





( Half ) Arrow Bridge... Now that is an important signature, piece of DNA in a Girard - Perregaux watch, already seen in pocket watches or in Tourbillon with gold bridge(s) wristwatches.

This movement is 32 mm big, 5, 36 mm high, 27 jewels manual winding Calibre, composed of 317 parts, beating at 21 600 alternances per hour, and offering a power reserve of 100 hours.

It has a variable inertia balance.

4/ General thoughts:

A Minute Repeater requires more than " simply " being a nice watch, it must sound nicely.

And here, Girard - Perregaux did an awesome job.

Those who are fans of minute repeatets know that this complication is based on a dilemma: Volume or richness.

The louder the minute repeater sounds, the poorer the sound is.

But what would be the pleasure / utility of a nice minute repeater if you can't hear it?

The sound provided by the two hammers hitting their respective circular gongs, is round, very generous, rich in the low frequencies and the high frequencies are not agressive at all.

The Hammers, with their gongs:



This is not the loudest minute repeater I heard, but it is one very pleasant one.

I would rate it above the Breguet / IWC I heard, and I find it a tad richer than the JLC, this last one " singing " louder, though.

The milestone being the Vacheron Constantin I heard at the Boutique.... This GP 1966 Minute repeater is in the superior category, without any doubt.

Only one flaw, actually: I find the striking regulator of the minute repeater a bit noisy, but there is worse in this category.

Clearly one of my favourite Minute Repeater which would haunt me if GP decides, one day, to release it in white metal, and the co winner, in my book, with the Jaeger Lecoultre Duomètre à Sphérotourbillon, this year.



Looking forward to reading your thoughts and comments,

Best.

Nicolas This message has been edited by amanico on 2012-05-01 00:07:33 This message has been edited by dxboon on 2012-05-08 19:03:23

About the Girard-Perregaux Girard Perregaux 1966 Ref. 1966MinuteRepeater

The Girard-Perregaux 1966 Minute Repeater with Annual Calendar and Equation of Time, reference 1966MinuteRepeater, represents a significant addition to the 1966 collection, building upon the minute repeater movement introduced in the preceding year. This particular iteration distinguishes itself by integrating additional complications, elevating its technical complexity and dial presentation within the range. It caters to collectors seeking a high-complication timepiece that combines traditional horological artistry with a refined aesthetic.

This reference features a case crafted from precious metal, housing a sophisticated automatic movement. The integration of an annual calendar, a pointer date, a month indicator, and an equation of time display alongside the minute repeater mechanism demonstrates the brand's expertise in grand complications. The crystal is typically sapphire, providing clarity to the dial and protection for the intricate movement. The design maintains the classic proportions and understated elegance characteristic of the 1966 series.

For collectors, this model appeals to those with an appreciation for haute horlogerie, particularly the combination of an audible complication with practical calendar functions and the more esoteric equation of time. It fits into the Girard-Perregaux lineup as a demonstration of advanced watchmaking capabilities, offering a blend of technical prowess and classical design. The discreet integration of multiple functions on the dial maintains a balanced and legible appearance.

Specifications

Caliber
GP09M00-0003
Case
Pink Gold
Diameter
42 mm
Dial
Silver
Water Resist.
30 m
Crystal
Sapphire

Key Points from the Discussion

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The Discussion
FO
foversta
May 1, 2012

As I wrote in my SIHH report, the way they finished the Fabrique du Temps movement is really impressive. They improved it also and the way the key parts are opened leads to a true joy for the eyes. From my side, I didn't find the regulator too noisy. Or I heard many times much worse. Of course, the watch is not a carillon like the Opera One and Two. But it remains a superb MR with a very elegant scenery as you pointed it out. Thanks for the excellent presentation. Fx This message has been edited

PA
patrick_y
May 1, 2012

Girard Perregaux is often overlooked in the world of haute horlogerie and too often under-appreciated. I see an attractive minute repeater, with an excellent designed integrated movement. The movement appears to be very well finished through the photographs, and seems to have a slightly modern look to it with the partial skeleton-ization on the bridges. Honestly, I have never heard a Breguet minute repeater that I was fond of the sound; among all I've heard they were always fairly quiet and medi

AR
Ares501 - Mr Green
May 1, 2012

all my weakest spots my friend! Another dream... another mirage....another Slivovica.. Marvelous post ... another for HDD...another for reference Best Damjan

SA
sanro
May 1, 2012

I would love to hear its sound...I will investigate around here... Is the domed back sapphire a problem for comfort in wearing, Nico? I imagine it will be great for the sound, but it "sounds" at odds with comfort... I cannot appreciate in the photographs how aggressive or discreet this "doming" is. In any case, a clear winner. And I am drooling just to think of the enamel simple dial it has!

MI
mikesprang
May 1, 2012

What a beautiful minute repeater GP has produced for the 1966 collection. You did a great job covering the details of this piece inside and out. Is the movement manufactured by GP, or have they outsourced some of the production? Best, Mike

AM
amanico
May 1, 2012

As for your question, GP doesn't hide the fact they used a movement from the Fabrique Du Temps. Best, Nicolas.

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