
Nicolas (amanico) recently rediscovered the 1999 Girard-Perregaux Tourbillon with Gold Bridges Ref. 99250, the brand's first automatic version of this iconic complication. His enthusiasm highlights the enduring appeal of this reference, prompting a deeper look into its horological significance and continued relevance in the luxury watch market. This article explores why this particular model continues to captivate collectors and how it stands within the broader landscape of high horology.

It seems less dated or socially bumptious than two-tone that involves external case and bracelet components. Somehow, it reads differently to me when the rose is on the dial, and in the case of this GP, full white might be on the austere side given how much already is white. Best, Tim
Much of this 99250's running gear and standards live on with the Esmeralda series. I think you'd love the 2016 Esmeralda if you love the watch above. In short, recent Girard-Perregaux work is still very impressive where these Golden Bridge models are concerned. It bodes well for the brand going forward. I've also included a photo of the 2023 Esmeralda, which might be a bit much as a design, but it shows GP's quality standards are still world-class.
The automatic function is so well integrated. What a beauty.
offering. But at a larger size I suspect.
Having compared these up close to the likes of Greubel Forsey, Romain Gauthier, and Ferdinand Berthoud, I can confirm that the Esmeraldas match those high-ceiling independents. It's not commonly known among collectors that Girard-Perregaux can achieve this level of execution, and that's reflected in the secondary market prices of GP golden bridge tourbillons. Appreciating the machines on the basis of quality and not price, these GPs stand among the finest. These are great opportunities for watch
Thanks for sharing this beauty.
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