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Any musical Purists out there?

 

It seems that many of us have shared passions outside the bounds of horology.  I've noticed that several Purists are into cars, boats, planes, and motorcycles; as well as fine food, drink, and cigars to name just a few interests (All of which are worthy pursuits to be sure!).  One hobby I have been pursuing for several years is playing, and collecting, guitars.  I wouldn't be surprised if many of you are also interested in custom or vintage instruments, as some of the principles that make fine watches desirable can also be found in the creation of quality musical instruments -- the attention to detail, and old-world craftsmanship; building by hand; finding the best balance between time-honored techniques and new technology; sourcing materials in an ecologically sustainable and responsible way, while still assembling a product that is true, good, and serves the purpose for which it was invented; capturing a certain aesthetic in a product of timeless and lasting beauty.  Are these not all issues for the modern watchmaker as well?  Perhaps luthiers (guitar makers) and watchmakers have more in common than one would initially believe.  

I wanted to share some pictures below of my current stable of guitars.  Several guitars have passed through my hands at various points in my life, some of which I regret not keeping, but I'm fairly happy with the state of my collection at the moment.  I find that I can't successfully rotate through more than three guitars at once, and still give each enough playing time.  The three guitars you'll see below are:

- 1968 Gibson Hummingbird with spruce wood top in a sunburst finish and mahogany back and sides.

- Custom-made Huss & Dalton CM with spruce top in a natural finish and clouded sapele (a member of the mahogany family) back and sides.

- Custom-made Huss & Dalton MJC with spruce top in a tobacco sunburst finish and Indian rosewood back and sides. 

I apologize in advance for any dust, fingerprints, smudges, and overall lack of photography skills in the following pictures.  Hope you enjoy the photos.

Cheers, and keep on rockin'!

Daos

My 1968 Gibson Hummingbird.
My 1968 Gibson Hummingbird.  Still handsome 40 years after leaving the factory.  This guitar was originally geared toward the country-western set, but was adopted by many rockers of the period, including Keith Richards of the Rolling Stones.  Listen to "Jumpin' Jack Flash," one of the Stones' singles from '68 -- that's the sound of Richards playing his Hummingbird on that track.  



"Only a Gibson is good enough."  Or at least, that's the slogan Gibson once used to sell their guitars.  I find that generally the world of acoustic guitar aficianados is made up of two kinds of people: Gibson people and Martin people.  I once read that Gibson people were the Chevrolet owners of the world, and Martin folks were the Fords.  It was unusual to find both those makes in one driveway.  Whether that's true or not, I can't say, but I personally have always gravitated toward Gibsons.  Maybe we can find an equivalent watch collecting analogy...


A close-up of the pickguard with its namesake Hummingbird.

A close-up of the pickguard with its namesake Hummingbird.


The double parallelogram fretmarker, standard on several Gibsons of this period.

The double parallelogram mother-of-pearl fretmarker, which was standard on several Gibsons of this period.


Fancy marquetry wood inlay on the back of the Gibson.

Fancy marquetry inlay on the back of the Gibson.  The current Hummingbirds do not have this same pattern of backstriping.  You can see the fairly straight grain of the mahogany in this picture.


My custom-made Huss & Dalton CM.

My custom Huss & Dalton CM.  I waited MONTHS for this guitar to be completed (including the wood to finish curing before it could be turned into a guitar).  I'm sure many of you who have ordered custom watches can empathize about the agonizing wait, and incredible pleasure of finally receiving the finished product that you helped envision.  In this case I chose everything from the wood, to the buttons on the tuners, to the width of the guitar neck, and so forth.  


Back and sides of clouded African sapele (a member of the mahogany family) accented by Indian rosewood purfling.
This picture doesn't do the guitar justice.  The back and sides of clouded African sapele are almost three-dimensional.  This is not a veneer so the cloud effect can be seen through the soundhole on the opposing side of the wood as well.  The purfling (trim) is Indian rosewood sandwiched between holly and ebony woods.


Backstrip of holly and ebony woods, painstakingly inlaid by hand.

Backstrip of holly and ebony woods, painstakingly set and inlaid by hand.  The effect is mosaic-like.


The only fret marker on this guitar is at 12 and is in a scroll pattern made from abalone.

The only fret marker on this guitar is at 12, and is in a "scroll" pattern made from abalone.


The CMs soundhole is also ringed with abalone shell.

The soundhole on my CM is also decorated with abalone shell.


My Huss & Dalton MJC. This guitar was customized for my friend Steve who owns a guitar shop. Hes sold guitars to everyone from Bob Dylan to Sheryl Crow. I played this guitar at his store one day and ended up buying it.

My Huss & Dalton MJC. This guitar was customized for my friend Steve who owns a guitar shop. He's sold guitars to everyone from Bob Dylan to Sheryl Crow. I played this guitar at his store one day and ended up buying it.  Sorry again about the fingerprint smudges -- at least you know these guitars are played and loved, not just sitting in their cases!


More

More lovely inlay work from our friends at Huss & Dalton. This time on the peghead of my MJC.


The guitar back displays the unmistakable beauty of Indian rosewood.

The guitar back displays the unmistakable beauty of Indian rosewood.


Abalone fretmarkers in a

Abalone fretmarkers in a "stingray" pattern.


Holly and ebony woods set in a herringbone pattern surround the soundhole.

Holly and ebony woods set in a "herringbone" pattern surround the soundhole of my MJC.

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