The black label CS raises in my mind an interesting point for M. Journe: He has always insisted on the notion of improved chronometry as a guiding principal, and unquestionably he still does. Yet with the black label CS, there seems more than a hint of the watch as object d’arte: The dial is difficult to read, and so obviously so under many conditions that the watch raises itself more as object than a timekeeper (not that we need timekeepers, but the point still stands).
I find it interesting because in discussions with M. Journe about the ‘art’ of his work, he has insisted on chronometry and its mechanics above the aesthetics, yet that is not what I see in this watch. I have always thought that Journe possesses an integrated vision of form and function that is organic to his work. Yet the black label seems to push the pieces just a tad in the direction of object over functional object.
Any additional photographs of the black label pieces, Brad?
Douglas