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Photography

"I've often noticed..." quoting Abbas Kiarostami

 


"... that we are not able to look at what we have in front of us, unless it's inside a frame" —  source Le Cinéma World (see image below).  There are implications in that quote...

Abbas Kiarostami (22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer.  An active filmmaker from 1970, Kiarostami had been involved in the production of over forty films.  He attained critical acclaim for directing the "Koker trilogy" (1987–1994), "Close-Up" (1990), "The Wind Will Carry Us" (1999), and "Taste of Cherry" (1997).  His films "Where Is the Friend's Home?", "Close-Up", and "The Wind Will Carry Us" were ranked among the 100 best foreign films in a 2018 critics' poll.  "Close-Up" was also ranked one of the 50 greatest movies of all time in the Sight & Sound poll conducted in 2012. — Wikipedia 





There are the technical aspects of photography, the pull of certain subject matter, and/or 'rules' that one picks up along the way... there are also hard wired elements, e.g. "During the Second World War, Goebbles [Minister of Propaganda from 1933 to 1945] gave an order to all cameramen at the front: The German soldier always attacks from left to right" (link to a post from May 13, 2019).

In my thinking, to "frame a subject" is one of those hard wired elements that impact the viewer even if they don't acknowledge the photographer's intent.





The composition in itself is the basic "frame", but internal to that, lines and space can create a mood and/or set an atmosphere that enhances the viewing experience.

Any thoughts on framing and/or other "hard wired" elements that you have run across?

Thanks for looking,
Casey

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