Look familiar? That's because that watchmaker was FP Journe it was this watch that allowed FP Journe to break out and start his own company. The impact that this watch had on the world of independent watchmaking can not be overstated. This was during a time where Dufour struggled to sell a watch. Let that sink in. At this time, Dufour could not sell his Simplicity and cut the production of the Duality short due to low demand. How things have changed...
Max eventually left HW to start his own brand: B&F (Busser and Friends) where he would essentially continue what he was doing at HW - Working collaboratively with talent to highlight them. In a time where "in-house" was becoming the zeitgeist of the industry he was already moving back to going to specialized people for specialized things, and giving them credit. While everyone was looking at what's new, Max remained committed to what's best. After all, this is how watchmaking has been traditionally. And watchmaking, if nothing else, is about tradition.
When he worked towards incorporating he had to pivot the name - B&F was too close to B&R (Bell and Ross) his lawyer warned so the name had to be changed. In a twist like "
dropping the The", he added Max and MB&F was born.
Max's vision was to consider what would watches not look like not next year, but in the next decade. And so was born the experimental "Horological Machines" line. A few years in, he again zigged when other zagged and started a line asking the question, "What would the great watchmakers of the past build if they were alive with today's technology?" And so we have the "Legacy Machines" line.
When I first heard about the brand it was on a web forum. I think it was around the time the HM3 came out. Although it wasn't my style, I absolutely saw it as an aspirational brand. Something that those that, "have made it" would own. Something a free thinking would wear. Something one who was not swayed by what the mass thought he should wear. Someone who was true to themselves. I wanted to be someone who one day felt they had "made it" and it was something that inspired me for years to come.
An anti-1984 watch, if you will. I've always seen the brand as square peg and Max as a crazy one; someone who dared to change the (watch) world.
In just 16 years they have produced 19 calibers. I'm not aware of any other brand that has ever produced as many (we aren't talking about modules here) different calibers in such a time. "JLC, watch a learn", is what Max seems to be saying.
For me, Max's youthful joie de vivre and zest for what's new, all while being contrasted with the utmost respect for the people that built modern watchmaking is very compelling. It is what draws me to the brand and the Man on a very personal level.
In 2020 I found some success in business - I took total controlling power over the company I started 10 years prior - and wanted to mark the time. I wanted to mark it with something that paid homage to the past, the past 10 years, but was also forward looking, what I could do with my company now. MB&F was a natural selection. I called Cellini in NY and placed an order.
With all the stuff that happened during that time, it took several months for my watch to make its way to me.

My LM101 in Palladium. Limited to 18 pieces. Meet #3; the fresh start for my business.
And yes, it was expensive.
And yes, I do wear it when I garden (sometimes):

The watch thoughtfully pays attention to pocket watch movements of the past and the finishing was designed by Kari Voutilainen. Of course, people who work on the watch are given credit;

Every detail is thoughtfully cared for. For example, the dials for the power reserve and time are seven layers of stretched lacquer. Each layer is polished to give the finished dials a dome shape, mirroring the the crystal.

The finishing is, of course, haute de gamme:

The engravings on the dial and movement were done by none other than Eddy Jaquet, by hand;

Oh, you're probably wondering why I so brazenly call Mr. Busser, Max. Well, when I ordered the watch, a few hours later I got an email from Max himself thanking me for support him, his brand, and the people who work with MB&F. He wanted me to have his personal contact information, should I need anything.
Let's see your brand's CEO do that.
I am honoured to now call Max a Friend.
So, in a way, the watch is part of me but I'm also a part of the watch. I am a Friend so, like the people that work with MB&F, I too get a little bit of credit.
About a month after the watch finally arrived at my home, I also received a handwritten thank you card in the mail from Max.

MB&F, for these reasons and more, is a brand that really speaks to me. I don't love all their watches but I certainly appreciate and admire their ability to not just march to the beat of their own drum, but rethink how a drum can sound, or how a drum can be played. I've shared this before, but I often try and personify watch brands and throw a pretend party in my head and play out what those humanized brands would be like (I do stuff like this when I am alone in my head). Breitling would show up in a bomber jacket, despite it being a black tie event, Patek would have a monocle and look down its nose, Breguet would be wearing a woolen 3 piece suit (albeit an impeccable one), in spite of it being July, Blancpain would constantly have people saying to him, "You look familiar, do I know you?"
At this party, MB&F would be a 12 year old boy, outside on front lawn, twirling in the rain, catching raid drops on his tongue.
Anyway, all of this will either sounds like hooey to you or, if you are like me, grab you in a very fundamental way.
I hope this gives you a little insight to MB&F, Max, and what the vision is all about.
Best,
-Paul