I've watched hours of Stephen's interviews and met him briefly, he's always come across as very genuine and confident but sincere. He was the face of the brand, set the narrative, talked to clients, and GF was a brand with huge horlogical gravitas because
Imagine if you were Chanel; and you had such a competition. Would the Chanel Maison want to admit that Lagerfeld's designs are better than the current designer Matthieu Blazy's? In the car world, it makes more sense. As it's still a competition of eleganc
I recently came across the work that he did for Chanel back in 2014 for a project called "L'Instant Chanel* where models mimic the position of a watch's hands. The below shot struck me as a good example and less provocative than some of his other series w
Absolutely agree. “Maison Horlogers” captures both creative intent and structural legitimacy without overreaching into full independence. It gives Hermès, Chanel, and even LV a more fitting identity than “fashion brands.”
This raises a broader question: where does Hermès actually belong in watch brand classification? The traditional categories fail us here: "Fashion Brand" – Dismissive and inaccurate given their manufacturing depth "Independent" – Reserved for artisanal ma
I would also point to Chanel. They have some serious investing in their foundations and approaches to serious watchmaking. Some of their higher end pieces and I even point to the Chanel Monsieur as a prime example. With their investments and long-term pla
Rolex celebration with me. However, I do not share my 5131s with her A few years ago I had the honour of attending a GTG with Lung Lung. She is a great collector and I wish that she could participate more on WPS !