

I’m not against hype, but I’m not particularly for it either—it doesn’t matter that much to me. That said, I do think it’s generally a positive thing, because it likely attracts a lot of new customers. People might initially be drawn in by so-called hype watches—whether that’s Nautilus, Aquanaut, or Royal Oak models doesn’t really matter—but for many, it’s a trigger to get started or at least to begin exploring the broader watch world.
If I go back about 35 years, I bought my first steel Rolex Submariner. I wouldn’t necessarily call it a hype watch back then, but it was certainly popular. Everyone starts somewhere. At the time, I thought it was the ultimate watch. I still think it’s a great piece today, though perhaps a bit more understated in comparison.
So yes, from a marketing perspective, hype is definitely not a bad thing.
To stay on topic, I do own some hype watches, including the Chronomètre Bleu by François-Paul Journe. I think it’s a fantastic watch, but honestly, it’s not among my absolute favorites. For that, I tend to look at pieces that are almost the opposite of hype. Breguet comes to mind—both now and for many years already, it has been one of the most interesting brands to me, and apparently it sits at the other end of the spectrum.
My rattrapante chronograph is probably my favorite watch in my collection. In addition, when I look at neo-vintage pieces—say from around 1990 to the early 2000s—I think of my Andersen Genève worldtimer chronograph. It’s a superb piece and about as far removed from hype as you can get. That said, I have noticed in recent years—especially over the last couple of years—that attention for Andersen has been increasing, and with it, prices on the secondary market.
So to sum it up: I think hype is good for the market. It’s not something I personally need, but it certainly has its place.






