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Patek Philippe Perpetual Calendar Chronograph ref. 5020 & 5021
The perpetual calendar chronograph is a complication very intimately linked to the history of Patek Philippe.
Among the most celebrated references are the 2499, the 3970 and the 5970. For whatever reason, the ref. 1518 and 5270 seem to be a little less sought after.
But, during the lifespan of the 3970 (from 1986 to 2004), another reference came to birth, which has had a very limited success due to its cushion-shaped, TV-style case: the ref. 5020.
It was introduced in 1994/95 and closed its production run in 2002. It’s believed that Patek only brought somewhere between 200 to 250 examples of the ref. 5020 to market, in all configurations and case metals, during the model’s short eight-year lifespan. By comparison, its closest sibling, the ref. 3970, is believed to have reached a total of approximately 3,600 examples over 18 years. So the ref. 5020 is easily the rarest of Patek Philippe’s four modern perpetual calendar chronograph references (3970, 5020, 5970 & 5270).
Among the total of examples made, approximately 200 examples were made combined in all the gold metals (yellow, pink, white gold), and another 20-plus pieces were created in platinum. There are also a number of unique pieces in all four metals that are known, most of which were made for Michael S. Ovitz. These Ovitz pieces come with a tachymeter scale and leaf lumed hands, whereas regular dials of the 5020 are typically defined by the use of applied Breguet hands and numerals and do not have a tachymeter scale.
The gold versions of the 5020 were delivered with both a solid and an exhibition caseback, while for unknown reasons, the platinum examples were only delivered with solid casebacks.
The case measures 37 x 45 mm and was made for Patek Philippe by Atelier Réunis, a workshop that historically made some of the brand’s most important case designs.
The movement inside the 5020 was identical to what was found inside the 3970, the manual-wind Lemania-based caliber 27-70 Q.
Some examples came with a matching five-link brick-style bracelet.
Lastly, a gem-set version of this reference was made: the ref. 5021.
I personally like this reference very much, especially the regular version with Breguet numerals and hands and without a tachymeter scale. For my personal taste, the first example in rose gold is simply gorgeous.
Thanks for reading (a very helpful essay by Logan Baker for Phillips
can be found here).
Best, Emmanuel
A/ REF. 5020
1/ ROSE GOLD
a/ Ref. 5020R

credit: Sjx

credit: @mentawatches

credit: quill & pad & @john.lydon
b/ Ref. 5020/1R special piece made for Michael S. Ovitz with leaf lumed hands and tachymeter scale ('MSO' can be seen at 6 o'clock, just above the 17-15)

credit: @watchguru
b/ Ref. 5020/1J-001

credit: Sotheby’s
c/ Ref. 5020/1J special piece made for Michael S. Ovitz with tachymeter scale and leaf hands with lume
credit: @dax2499 & @_1_5_1_8_
3/ WHITE GOLD
a/ Ref. 5020G

credit: @horology_ancienne


credit: @bobmaron (1), phillips (2), European watch company (3) & bachmann & scher (4)
b/ Ref. 5020G-015 special piece made for Michael S. Ovitz with tachymeter scale & leaf hands (with lume)

credit: @jonbinla (1), @l951.1 (2) & Sotheby’s (3-6)
c/ Ref. 5020/1G

credit: @_1_5_1_8_
4/ PLATINUM
a/ Black dial & Breguet numerals and hands (5020P)

credit: phillips
b/ Black dial & Diamond indexes and Breguet hands (5020P)

credit: Sjx

credit: @watchguru

credit: bachmann & scher

Diamond platinum with rose gold (1-2) & with rose and white gold (3) (credit: wristcheck, Pinterest, & @watchtime_germany)
1/ 5021R with salmon dial (rose gold)

credit: @watchguru & robert maron (last photo)
credit: gioielleriabonanno & @jonbinla (last photo)
3/ 5021J (yellow gold - only known example)


credit: phillips